Citizenship

Citizenship page 2
by Emma Guy Cromwell

Our country is a land of freedom and opportunity, and it is our duty to help uplift the government, and as citizens we must study conditions and know how to govern and be governed. We must be familiar with our national and state Constitutions, for they are the fundamental principles by which we are governed. We must know how to make laws and how to have them executed. We must keep posted on the issues of the day, and know something of the standing and character of our public men and women.

The citizen who does not possess some knowledge of his government and its workings will become a prey to the demagogue, or of individuals who are anxious to advance their own interest at the expense of the people.

It is the duty of every man and woman under the protection of our flag to give his or her best to the country and be willing to take upon themselves the burden as well as the privilege of government, and fully appreciate the inheritance our fathers left. "They built the foundation in the days of Washington and Jefferson, and as a duty we must safeguard the building."

Citizenship not only embraces civil rights, but political rights which is the right of suffrage or voting.

While civil rights are enjoyed by all men, women and children, political rights are enjoyed only by citizens twenty-one years old and over who possess the necessary qualifications to vote. Civil rights and political rights are not the same, for all citizens are not voters...

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Montaigne in Shakspere

Montaigne and Shakspere page 3
by John M. Robertson

Shakspere in one scene in the TEMPEST versifies a passage from the prose of Florio's translation of Montaigne's chapter OF THE CANNIBALS has been recognised by all the commentators since Capell (1767), who detected the transcript from a reading of the French only, not having compared the translation. The first thought of students was to connect the passage with Ben Johnson's allusion in VOLPONE[2] to frequent "stealings from Montaigne" by contemporary writers; and though VOLPONE dates from 1605, and the TEMPEST from 1610-1613, there has been no systematic attempt to apply the clue chronologically. Still, it has been recognised or surmised by a series of writers that the influence of the essayist on the dramatist went further than the passage in question. John Sterling, writing on Montaigne in 1838 (when Sir Frederick Madden's pamphlet on the autograph of Shakspere in a copy of Florio had called special attention to the Essays), remarked that "on the whole, the celebrated soliloquy in HAMLET presents a more characteristic and expressive resemblance to much of Montaigne's writings than any other portion of the plays of the great dramatist which we at present remember"; and further threw out the germ of a thesis which has since been disastrously developed, to the effect that "the Prince of Denmark is very nearly a Montaigne, lifted to a higher eminence, and agitated by more striking circumstances and a severer destiny, and altogether a somewhat more passionate structure of man."[3] In 1846, again, Philarète Chasles, an acute and original critic, citing the passage in the TEMPEST, went on to declare that "once on the track of the studies and tastes of Shakspere, we find Montaigne at every corner, in HAMLET, in OTHELLO, in CORIOLANUS. Even the composite style of Shakspere, so animated, so vivid, so new, so incisive, so coloured, so hardy, offers a multitude of striking analogies to the admirable and free manner of Montaigne."

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Bertrand Russell

Mysticism and Logic page 13
by Earl Bertrand Arthur William Russell, 3rd

The first and most direct outcome of the moment of illumination is belief in the possibility of a way of knowledge which may be called revelation or insight or intuition, as contrasted with sense, reason, and analysis, which are regarded as blind guides leading to the morass of illusion. Closely connected with this belief is the conception of a Reality behind the world of appearance and utterly different from it. This Reality is regarded with an admiration often amounting to worship; it is felt to be always and everywhere close at hand, thinly veiled by the shows of sense, ready, for the receptive mind, to shine in its glory even through the apparent folly and wickedness of Man. The poet, the artist, and the lover are seekers after that glory: the haunting beauty that they pursue is the faint reflection of its sun. But the mystic lives in the full light of the vision: what others dimly seek he knows, with a knowledge beside which all other knowledge is ignorance.

The second characteristic of mysticism is its belief in unity, and its refusal to admit opposition or division anywhere. We found Heraclitus saying "good and ill are one"; and again he says, "the way up and the way down is one and the same." The same attitude appears in the simultaneous assertion of contradictory propositions, such as: "We step and do not step into the same rivers; we are and are not." The assertion of Parmenides, that reality is one and indivisible, comes from the same impulse towards unity. In Plato, this impulse is less prominent, being held in check by his theory of ideas; but it reappears, so far as his logic permits, in the doctrine of the primacy of the Good.

A third mark of almost all mystical metaphysics is the denial of the reality of Time. This is an outcome of the denial of division; if all is one, the distinction of past and future must be illusory. We have seen this doctrine prominent in Parmenides; and among moderns it is fundamental in the systems of Spinoza and Hegel.

The last of the doctrines of mysticism which we have to consider is its belief that all evil is mere appearance, an illusion produced by the divisions and oppositions of the analytic intellect. Mysticism does not maintain that such things as cruelty, for example, are good, but it denies that they are real: they belong to that lower world of phantoms from which we are to be liberated by the insight of the vision. Sometimes--for example in Hegel, and at least verbally in Spinoza--not only evil, but good also, is regarded as illusory, though nevertheless the emotional attitude towards what is held to be Reality is such as would naturally be associated with the belief that Reality is good. What is, in all cases, ethically characteristic of mysticism is absence of indignation or protest, acceptance with joy, disbelief in the ultimate truth of the division into two hostile camps, the good and the bad. This attitude is a direct outcome of the nature of the mystical experience: with its sense of unity is associated a feeling of infinite peace. Indeed it may be suspected that the feeling of peace produces, as feelings do in dreams, the whole system of associated beliefs which make up the body of mystic doctrine. But this is a difficult question, and one on which it cannot be hoped that mankind will reach agreement.

Four questions thus arise in considering the truth or falsehood of mysticism, namely:

I. Are there two ways of knowing, which may be called respectively reason and intuition? And if so, is either to be preferred to the other?

II. Is all plurality and division illusory?

III. Is time unreal?

IV. What kind of reality belongs to good and evil?

On all four of these questions, while fully developed mysticism seems to me mistaken, I yet believe that, by sufficient restraint, there is an element of wisdom to be learned from the mystical way of feeling, which does not seem to be attainable in any other manner. If this is the truth, mysticism is to be commended as an attitude towards life, not as a creed about the world. The meta-physical creed, I shall maintain, is a mistaken outcome of the emotion, although this emotion, as colouring and informing all other thoughts and feelings, is the inspirer of whatever is best in Man. Even the cautious and patient investigation of truth by science, which seems the very antithesis of the mystic's swift certainty, may be fostered and nourished by that very spirit of reverence in which mysticism lives and moves.

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